Fantastic. What a crazy difference and I can work with that. I might set up a Keyboard Maestro routine to automatically swap the profile back to the wider gamut when doing video work. The wider gamut is also easier on the eyes in general, but that's a perceptual thing and we easily adapt. The whole color management field is quite complex and a truly scientific approach would have you switching it often, depending on final product, for instance whether photographs will be viewed online or printed. Thanks again for your diligence and I'm kicking myself a bit for not trying that. It did occur to me but I brushed it off thinking, no way. As it turns out - way.
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